HORO 27 - ARCHIE SHEPP - HLL 101-27

In a future history of jazz, "Jazz A Confronto" series by Aldo Sinesio will occupy a very important and irreplaceable position.

Walter Mauro, 1975

Credits:

Label: HORO
Catalog#: HLL 101-27
Format: LP
Country: Italy

Recorded in Rome 1975, September 28

Archie Shepp (soprano and tenor sax), Charles Greenlee (trombone),
Dave Burrell (piano), David Williams (bass), Beaver Harris (drums)



Tracklisting:

Side A

1) Lybia - 21'20"

Side B

1) My Heart Cries Out To Africa - 19'03"

JAZZ A CONFRONTO 26 - STAFFORD JAMES - HLL 101-26

Stafford James has been in the front lines for 30 years. He is thankful for the early encouragement he received from artists like Miles Davis, Herbie Hancock, McCoy Tyner and his mentor, bass giant Charles Mingus.

“I will always appreciate the way he approached me as a young musician trying to get out of the bucket and find my own direction”.

He recorded with the legendary Albert Ayler (“Music is the Healing Force”), with Dexter Gordon (including “Home Coming”), with the fusion oriented guitarist John Scofield, with Jimmy Heath, Pharoah Sanders and nine albums with the late trumpeter Woody Shaw. 

The last 15 years have been solely dedicated to his ensemble, The Stafford James Project.

Credits:

Label: HORO
Catalog#: HLL 101-26
Format: LP
Country: Italy

Recorded in, Rome 1975, July 31

Stafford James (bass), Enrico Rava (trumpet),
Dave Burrell (piano), Beaver Harris (drums)


Tracklisting:

Side A

A1) Costa Bruciata - 9'40"
A2) Neptune's Child - 12'18"

Side B

B1) City Of Dreams - 5'16"
B2) I Ain't Named It Yet - 11'46"

JAZZ A CONFRONTO 25 - DANNIE RICHMOND - HLL 101-25

In the Seventies, going often to meet, in big cities like Rome or Milan, the great African American musicians who came to give concerts, but it was a little more rare to find Italian jazz musicians, or producers, who took advantage of these "trips".
Once it was successful, for example, on 24 October 1970, when Giorgio Buratti, taking advantage of some free hours of the group that Charles Mingus had presented to International Jazz Festival in Milan, he recorded the excellent LP "A Smooth Day" by Dannie Richmond, Jaki Byard, Eddie Preston and Bobby Jones (soon on Jazz from Italy).

Mingus's quintet, returned to Italy in July 1975, and even on that occasion, in a break from the "official tour", the musicians take the opportunity to record their music on vinyl, this vinyl that today you can listen, recorded in Rome by Dannie Richmond, Don Pullen, George Adams, Jack Walrath and more...

This happened a few times, I said, but almost every time, there was Aldo Sinesio.

Dannie Richmond by Roberto Polillo, courtesy Siena Jazz

Closely associated with Charles Mingus, Dannie Richmond was on most of his sessions from 1955-1978, showing impressive versatility.
Richmond and Mingus made for a very potent team, shifting rhythms, tempos, and grooves together, hinting at New Orleans jazz now and then while sometimes playing very freely. Richmond was originally a tenor saxophonist who as a teenager played R&B, touring with Paul Williams.
He took up the drums in 1955, and six months later joined Charles Mingus when he proved that he could play at very fast tempos. During Mingus' off periods, Richmond freelanced with Chet Baker, the group Mark-Almond, Joe Cocker, and even Elton John.
After Mingus' death, Richmond played with Mingus Dynasty and then became a member of the George Adams-Don Pullen Quartet (1980-1985), occasionally leading his own groups.

by Scott Yanow from All Music Guide

Credits:

Label: HORO
Catalog#: HLL 101-25
Format: LP
Country: Italy

Recorded in Rome 1975, July 28

Dannie Richmond (drums), Don Pullen (piano),
George Adams (tenor sax), Jack Walrath (trumpet),
David Friesen (bass), Irio De Paula (guitar), Afonso Vieira (percussion)


Tracklisting:

Side A

A1) Neata Babe Boogie - 7'10"
A2) Waltz For Tamia - 7'16"
A3) April Denise - 7'08"

Side B

B1) I Told You So - 20'26"

HORO 24 - ENRICO PIERANUNZI - HLL 101-24

So.

Until some time ago, my wishlist of HLL, Jazz A Confronto series, was blocked.

I was also thinking about starting to publish, in this same blog, the records of the other two series of HORO, the HZ and the HDP, where Aldo Sinesio recorded, as rare documents that remained over time, musicians like these: Gil Evans, Don Pullen, George Adams, Dave Burrell, Stafford James, Steve Lacy, Roswell Rudd, Ran Blake, David Murray, Sam Rivers, Roy Haynes, Karl Berger, Martial Solal, M.E.V, etc.

Then, with the help of Alessandro, musician and jazz's fan, I had the opportunity to hear two chapters missing in my collection, and also to shorten my wish list, and I'm here.

The first one that I share with you, is the Jazz A Confronto n° 24.

Enrico Pieranunzi six years

According to Enrico Pieranunzi discography, compiled by Maurizio Franco and published in the Musica Jazz magazine, this is the first LP recorded by the roman pianist as a leader.

This discography, including his records only until 1993, is the most complete documentation on the recordings of the first Pieranunzi.

Thanks again to Alessandro, who also sent me the volume No. 4 of this legendary series that I'll put online soon, I wish to say thanks to Steve Williams, collaborator to http://www.ukvibe.org/, and my greatest supporter since the beginning of this project.

Credits:

Label: HORO

Catalog#: HLL 101-24

Format: LP

Country: Italy

Recorded in Rome, between June 21 and June 30, 1975
.

Enrico Pieranunzi (p),

Bruno Tommaso (bass), Ole Jorgensen (drums)

Tracklisting:

Side A

A1) Piece for Joan - 4'59"

A2) After You - 5'18"

A3) Polychrome - 4'22"

A4) Blues Smiles - 5'04"

Enrico with his father, Alvaro Pieranunzi,

one of the pioneers of jazz in Italy.
.

Side B

B1) Long Drink - 3'34"

B2) Soul Day - 6'58"

B3) Ragnhild - 3'52"

B4) Camping 72 - 6'28"

.

JAZZ A CONFRONTO 23 - STEVE GROSSMAN - HLL 101-23

STEVE GROSSMAN was born in New York City on January 18, 1951.
When Wayne Shorter left the Miles Davis band in 1969, his place was taken by 18 year old, Grossman.

Initially the teenager was much criticized, yet his fresh approach and an emotional intensity beyond his years added much to the band. Grossman studied saxophone with his brother, starting on alto, moving to soprano and tenor by 1968. He played with a number of groups including the Jazz Samaritans, with George Cables and Lenny White before joining Davis and recording his first sessions.
During the 70s Grossman played with Lonnie Liston Smith and in Elvin Jones' group and in 1975 founded the Stone Alliance with Gene Perla. Since 1991, Grossman has completed a handful of top-notch albums for Dreyfus Records.

His most recent recordings prior to Quartet are a live trio date from 1989, “Bouncing with Mr. A. T.”, released as a tribute to the late drummer Art Taylor, “Time to Smile”, a 1993 studio date bedrocked by Elvin Jones; and the wholly spectacular “In New York”, taken from a 1991 club stay that featured Taylor on drums and McCoy Tyner on piano.
Presently shuttling between Italy and France, Steve Grossman is in the full flower of his artistic maturity.

Potent display of the saxophonist's heartfelt playing and improvisatory genius are found on his recent sides, “Steve Grossman Quartet Featuring Michel Petrucciani” and “Steve Grossman/Johnny Griffin Quintet”.

source
www.myspace.com/stevegrossmanjazz

Credits:

Label: HORO
Catalog#: HLL 101-23
Format: LP
Country: Italy

Recorded at "Titania Studios", Rome 1975, April 06

Steve Grossman (tenor sax, soprano sax, piano),
Irio De Paula (guitar),
Alessio Urso (bass), Afonso Vieira (drums),
Nilton Castro (percussion)


Tracklisting:

Side A

A1) Piazza Di Spagna - 7'56"
A2) Maracanà - 7'10"
A3) Scala Dei Turchi - 6'30"

Side B

B1) Moon Dance - 5'53"
B2) So Brasa - 6'05"
B3) Libra Rising - 11'23"

JAZZ A CONFRONTO 22 - GEORGE ADAMS - HLL 101-22

A soulful soloist of fierce energy, with a sound that could break into a bluesy, vocalized cry, George Adams was heavily steeped in the blues and gospel tradition of his roots.

read more

Track Recording at 32 bit
Encoder Bitrate 320 kbps


Credits:

Label: HORO
Catalog#: HLL 101-22
Format: LP
Country: Italy

Recorded at "Mama Dog Studios", Rome 1975, March 29

George Adams* (tenor sax, flute, piano, vocal), Don Pullen (piano),
David Williams (bass), Dannie Richmond (drums)

Tracklisting:

Side A

A1) Cry From The Mountain - 7'29"
A2) Song Of Adam* - 7'30"
A3) Requiem For A Slumlord - 8'40"

* George Adams played tenor sax and piano at the same time


Side B

B1) Payday Blues - 17'40"
B2) You Name It - 5'22"

JAZZ A CONFRONTO 21 - DON PULLEN - HLL 101-21

"Don Pullen was one of those rare creative geniuses who could inspire others not only through his music, but through the example he set as a human being." (D.D.Jackson)

I bought this vinyl on e-bay, and the seller knew that the cover identify the first printing of the record, but when this record I was delivered, inside label identified it as a reprint (you remember the specifications of this label?).
Once placed it on the turntable, I understood the reason for this exchange: the B side is just VG-, because of several clicks away disturbing listening, especially toward the end of the track "Traceys Of Daniel".
Happens.
But the music of Don Pullen, and his companions, made me forget the trick of the seller.

Track Recording at 32 bit
Encoder Bitrate 320 kbps

Credits:

Label: HORO
Catalog#: HLL 101-21
Format: LP
Country: Italy

Recorded at "Titania Studios", Rome 1975, March 21

Don Pullen (p), George Adams (tenor sax, flute, perc),
David Williams (bass, perc), Dannie Richmond (drums, vocal)

Tracklisting:

Side A

A1) Calypso In Roma - 7'55"
A2) Sploogie Doo - 11'36"

Side B

B1) Dee Arr - 6'18"
B2) Traceys Of Daniel - 11'48"